An Unmarried Woman
was a Failure
The proper
purpose of a Victorian woman’s life, of whatever class, was to marry suitably.
It was not
essential for the marriage to be happy, but marriage in itself was, “the crown
and joy of a woman’s life – what we were born for.”
Victorian
England became concerned about what one charming Victorian gentleman described
as the “redundant women” problem for middle or upper class women, for whom
education was limited and (respectable) employment almost impossible.
A woman who
did not marry became a spinster, old maid or maiden aunt, a figure of fun, pity
and derision.
Put simply,
a woman who failed to marry was a failure.
The
“Surplus Women” in Victorian England
Punch cartoon about spinsters marrying
(Lady, recently married, in answer to congratulations of a
visiting lady friend) "Thank you, dear. But I still find it very hard to
remember my new name" Friend, "Ah, dear, but of course you had the
old one so long!"
The
Victorians became particularly exercised about redundant women after the 1851
Census showed that there were nearly 1.5 million spinsters, aged between about
20 and 40, and 350,000 old maids over 40.
In the 1851
Census, there were 104 women for every 100 men in England and Wales.
Victorian
England was also about the British Empire. Although, as now, more men wore born
than women, boys were more likely to die than girls in childhood, and men more
likely than woman to die young.
Men
emigrated, to the old and new commonwealth, America, Canada, New Zealand,
Australia, India and other places in the British Empire. For every woman who
emigrated, three men did so.
Men also
served time abroad either as colonial administrators or as soldiers.
There was an
increasing tendency for middle and upper class men to marry later. Between
about 1840 and 1870, the average age at marriage for middle and upper class men
was 30. At the age of 30, however, a spinster was definitely past her sell-by
date.
Life for
the Victorian Spinster
About the
only respectable forms of employment that any middle or upper class Victorian
spinster could undertake were as a teacher, a governess, or a companion.
Many couples
with large families liked to keep an unmarried daughter at home to tend to
their every whim and care for them in their old age. Although often obliged to
do so, the unmarried stay at home daughter was nevertheless incomplete. She’d
failed to undertake her primary duty, to be a wife and mother.
Many women who
didn’t marry in Victorian England lived first in their parents’ house, and when
their parents died, in the house of a brother or nephew. Although such women
tended to work extremely hard, provided a useful second mother and unpaid
housekeeper, they were undervalued.
Spinsters
and old maids in the middle and upper classes were financially dependent in
many cases on their fathers, uncles, brothers or nephews. They were
economically and socially vulnerable, and faced considerable exploitation.
Of course,
very many single Victorian woman lived happy and fulfilled lives in the houses
of their relatives. Nevertheless, the lack of power meant there was nothing
they could do about it if the life was distinctly unhappy and unfulfilled.
Although
until the Married Woman’s Property Act in 1868 a wife had no separate legal
existence from her husband, and did not own property unless he chose to allow
her to do so, nevertheless a married woman had a social status and respect that
her single sister would always struggle to achieve.
How
Surplus Women were a Social Evil
The National
Review in the 1860s described spinsters in the following terms,
“…a number quite disproportionate and quite
abnormal; a number which, positively and relatively, is indicative of an unwholesome
social state”
An
individual spinster or old maid could be pitied and patronised. As a group,
spinsters were damaging to society, and redundant.
Although it
was rarely mentioned specifically, there was a general view that celibacy in
women was unnatural.
Of course,
an old maid or a spinster was according to social norms considered to be a
virgin. That was unnatural, and a waste.
Edward
Gibbon talked about single English women as, “growing thin, pale, listless and
cross”.
Thackeray
described Charlotte Brontë as, “a noble heart longing to mate itself and
destined to wither away into old maidenhood”.
John Stewart
Mill argued against the spinster stereotype and said that the problem was that
women were badly educated. A woman who did not marry,
… is felt
both by herself and others to be a kind of excrescence on the surface of
society, having no use or function or office there.
Forced
Emigration?
Many, such
as WR Gregg, urged that single women be almost obliged to emigrate. WR Gregg
went on to discuss the semi forced emigration of women that he proposed,
..”England must restore by an emigration
women that natural proportion between the sexes in the old country and in the
new one, which was disturbed by an emigration of men, and the disturbance of
which has wrought so much mischief in both lands”
Spinsters
and Steroetypes in Victorian Literature
The Spinster
got a pretty bad press in Victorian England.
In Charles
Dickens’ novels, the spinsters and old maids who appear are usually mad,
desiccated, boring or secluded.
Miss
Haversham in Great Expectations is an example, a woman who fell in love and was
jilted on the day of her wedding.
She lived
for the rest of life in her wedding dress, with one shoe on, a wedding cake
uneaten on the table, and the clock stopped at the time she found out that her
husband-to-be had deserted her.
In Nicholas
Nickleby, Fanny Squeers is 23, and ugly, and full of fears that she is about to
be left on the shelf.
Then there
is Miss Sarah Brass, who in many ways runs the company formerly belonging to
her brother. She is referred to as a “dragon” in the book, and rebuffs an
attempt by Daniel Quilp to propose to her. And there is the charming Miss
Dartle who is extremely thin, has a scar on her lip, and is unpleasant and
aggressive.
Thackery
Spinsters
were also humiliated and seen as unnatural, dried up, and failures. Jane
Osborne in Vanity Fair is a good example. Her sister, who has succeeded in
marriage, snubs her, her father is rude to her directly, although she’s acting
as her father’s unpaid housekeeper.
The Brontes
and other Women Writers
The literary
Brontë sisters often wrote about women who did not marry in their books. None
of them married, and they were themselves brought up by a spinster aunt, after
the early death of their mother.
Charlotte
Brontë turned down four separate marriage proposals as she was determined not
to live with a man she did not think her intellectual moral equal.
The
difficulties that respectable but impoverished women faced in Victorian England
is clear from Charlotte Brontë’s second book, Shirley.
In Shirley,
one of the main characters, Caroline Helstone, is the daughter of a mother who
is missing and a father who is abusive.
Living with
her uncle, a clergyman, Caroline is wasting away and is emotionally deprived.
Caroline has no respectable way to earn a living, and does not have the sort of
money easily to attract a husband.
By the end
of the novel, Caroline is fortunate enough to marry her cousin, Robert Moore,
but it’s very clear from the book that she has escaped a repressed and
oppressed state.
Shirley
makes it very clear that the lot of a spinster woman without private means is
an extraordinarily difficult one. Caroline, in her spinster life in her uncle’s
household, has a miserable time of it. But it was not just the case that women
had a difficult time if they did not marry.
Being a
spinster did not only involve economic insecurity and precarious dependence on
male relatives. But a woman was unable to bring about marriage on her own
behalf. As Charlotte Brontë said in Shirley:
A lover
masculine so disappointed can speak and urge explanation: a lover feminine can
say nothing; if she did the result would be shame and anguish, inward remorse
for self treachery.
In The
Professor, Frances is made very aware that being an unmarried woman in England
would be a serious mistake for her. She says in the book:
An old maid’s life must doubtless be void
and vapid, her heart strained and empty; had I been an old maid I should have
spent existence in efforts to fill the void and ease the aching I should have
probably failed, and died weary and disappointed, despised and of no account,
like other single women
Marry or
else!
In summary,
being a spinster or an old maid in Victorian England was generally pretty grim.
There were
of course the exceptions, such as Octavia Hill or Florence Nightingale.
But they
were the exceptions that proved the rule.
For most
spinsters, they were failures. They had failed to marry, and were pitied and
derided individually, and seen as a social threat, redundant, surplus and
unnatural as a group.
Compared
with this status, putting oneself into the legal limbo of a married woman could
almost seem like a good bet.
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